Many folks believe that the Beatles were the greatest musical group of all time. Whether they were or not is debatable, but without question they were certainly among the greatest writers of nonsense lyrics.
As in:
These are just a few examples; their entire oeuvre is spackled with them. Our boys John, Paul, George, and Ringo weren't too concerned with whether their lyrics parsed. They wrote what they thought sounded good whether the meaning was clear or not, or indeed whether there was any discernible meaning at all. It's the sonority, stupid. Such an approach is not at all without artistic merit -- who said poetry needs to make sense? Still, it's amazing how profound even baby-talk can sound when the whole world is calling you a genius, and you're tripping like a long-haired hippie freak.
Since we're talking about the performance arts here, on a related subject: Paul Mirengoff (by the way, not the same Paul) at Power Line has thoroughly analyzed Obama's UN speech, so you and I don't have to. Paul is just a little bewildered, or perhaps disgusted, at what he perceives to be the meaninglessness of Obama's text.
E.g.,
Mirengoff has several amusing and dyspeptic remarks about all this. Some of my favorites:
I think Mirengoff's analytical skills are performing admirably here, but it's the wrong venue. The problem is he's expecting to hear the prosaic homilies and earnest syllogisms of a statesman, when instead he should be listening for the lilting cadences and stimulating tropes of a lyricist. It's the sonority, stupid. Obama's goal isn't to make sense, but to inspire his liberal base and his claque of major media sycophants to swoon and scream like the young girls at the Beatles concerts did, back in the halcyon days of funny-looking cigarettes and even funnier-looking hair-dos and clothes (about which, I'm something of an expert).
Now, try again to hear this in your head as if it's set to music, and Obama is on stage in psychedelic garb, strumming a guitar and gyrating his hips to an audience of giddy liberals:
Got to be a joker, he just do what he please.
There will be more, much more, nonsense lyrics for the fainting, and colitis for the faint of stomach, before this long and winding road is done.
Goo goo g'joob.
As in:
Here come Ol' Flat Top,I'm not sure I'd know a juju eyeball if one were to reach out and lash me.
he come groovin' up slowly,
he got juju eyeball,
he one holy roller...
Hello, hello!Is that what Obama told Hillary when he needed a Secretary of State?
I don't know why you say goodbye,
I say hello!
I am the egg man,When I was a kid, we actually had an egg man who delivered fresh eggs every week from a local farm. Perhaps that's how they did it in Liverpool back in the day, I don't know. But I'm fairly certain that they weren't laid by a walrus.
they are the egg men,
I am the walrus,
goo goo g'joob!
Picture yourself in a boat on a river,Actually, that makes even less sense when you read it than when you hear it. I understood perfectly well what was going on when I thought the words were, "A girl with colitis goes by." Unlike Ol' Flat Top, she was probably going by pretty quickly.
With tangerine trees and marmalade skies.
Somebody calls you, you answer quite slowly,
A girl with kaleidoscope eyes.
These are just a few examples; their entire oeuvre is spackled with them. Our boys John, Paul, George, and Ringo weren't too concerned with whether their lyrics parsed. They wrote what they thought sounded good whether the meaning was clear or not, or indeed whether there was any discernible meaning at all. It's the sonority, stupid. Such an approach is not at all without artistic merit -- who said poetry needs to make sense? Still, it's amazing how profound even baby-talk can sound when the whole world is calling you a genius, and you're tripping like a long-haired hippie freak.
Since we're talking about the performance arts here, on a related subject: Paul Mirengoff (by the way, not the same Paul) at Power Line has thoroughly analyzed Obama's UN speech, so you and I don't have to. Paul is just a little bewildered, or perhaps disgusted, at what he perceives to be the meaninglessness of Obama's text.
E.g.,
Obama:"In an era when our destiny is shared, power is no longer a zero-sum game. No one nation can or should try to dominate another nation. No world order that elevates one nation or group of people over another will succeed. No balance of power among nations will hold. The traditional division between nations of the south and north makes no sense in an interconnected world. Nor do alignments of nations rooted in the cleavages of a long gone Cold War."
Mirengoff has several amusing and dyspeptic remarks about all this. Some of my favorites:
"'[P]ower is no longer a zero-sum game.' What does this mean? Has every situation in the world magically become win-win? Or was this always the case and it simply took Obama to understand it?"
"'No one nation can or should try to dominate another nation.' The 'should' part goes without saying and Obama looks embarrassingly naive saying it. The 'can' part is demonstrably false, and Obama looks embarrassingly stupid saying it. A nation can dominate another nation by conquering it or, in some cases, by credibly threatening to conquer it."
"'The traditional division between nations of the south and north makes no sense in an interconnected world. Nor do alignments of nations rooted in the cleavages of a long gone Cold War' ...Is the internet really that powerful?"
I think Mirengoff's analytical skills are performing admirably here, but it's the wrong venue. The problem is he's expecting to hear the prosaic homilies and earnest syllogisms of a statesman, when instead he should be listening for the lilting cadences and stimulating tropes of a lyricist. It's the sonority, stupid. Obama's goal isn't to make sense, but to inspire his liberal base and his claque of major media sycophants to swoon and scream like the young girls at the Beatles concerts did, back in the halcyon days of funny-looking cigarettes and even funnier-looking hair-dos and clothes (about which, I'm something of an expert).
Now, try again to hear this in your head as if it's set to music, and Obama is on stage in psychedelic garb, strumming a guitar and gyrating his hips to an audience of giddy liberals:
"In an era when our destiny is shared, power is no longer a zero-sum game..." [Scream!!!!! Swoon!!!!!]
"No one nation can or should try to dominate another nation." [Shriek!!!!! Faint!!!!!]
Got to be a joker, he just do what he please.
There will be more, much more, nonsense lyrics for the fainting, and colitis for the faint of stomach, before this long and winding road is done.
Goo goo g'joob.
4 comments:
Hi RT,
And even when John and Paul admitted that their lyrics were nonsense, people still pored over them to find meaning. A desperate world we live in...40 years later, it's still a desperate world.
Good post.
By the way, heard this song today...reminded me of your blog.
http://www.youtube.com/watch?v=rqrogegV1lw
Mike
Wonderful tune! But it makes way too much sense to be nonsense lyrics! :)
"No one nation can or should try to dominate another nation." Did this guy ever read a history book? It is just full of stories about nations that could and in fact did dominate other nations. Maybe they should not have done so but the definitely proved that it can be done.
RT,
Reading "a girl with colitis goes by" lifted my lowly spirits this morning. Ironically, the more i think lately about the state of humanity in America, the heavier the words "severe gastrointestinal affliction" weigh on my spirit. You rock man.
-David
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